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HOW THE WORLD TOOK LANA DEL REY’S SADNESS OUT OF CONTEXT
STOP TRYING TO FORCE SHAWN MENDES OUT OF THE CLOSET
THE FEMINIST MEME SCHOOL EXPLAINS ART IN THE AGE OF SOCIAL MEDIA
GHOSTING, GRINDR AND DATING IN THE AGE OF THE INTERNET
CELEBRATING 40 YEARS OF LOVE AND UNITY AT BERLIN’S CSD PRIDE PARADE
THE TRACKS, FACES AND PLACES FOR BERLIN PRIDE ACCORDING TO LOCAL LGBTQ+ MUSICIANS
WHAT SPACE IS LEFT FOR BISEXUALITY WHEN GENDER IS NON-BINARY?
CAPITALIST QUEER BAITING GOES WAY BEYOND BELLA HADID & LIL MIQUELA
WITCH HOUSE IS THE ’00S ELECTRONIC GENRE INSPIRING FKA TWIGS AND GRIMES
A BRIEF HISTORY OF NEW WAVE
LITTLE SIMZ ON UNAPOLOGETIC HONESTY AND RAP AS REHABILITATION
SLOPPY (AND NOT-SO-SLOPPY) SECONDS WITH ELECTRO-SOUL SONGSTRESS ROSIE LOWE
THE YOUTUBE CHANNEL PAIRING DOWN-TEMPO R&B WITH OLD SCHOOL ANIME
WHAT’S THE BEST WAY TO BOYCOTT THE MUSIC INDUSTRY’S SEEDIEST PLAYERS?
HOW TO MAKE IT AS AN ARTIST IN THE AGE OF SPOTIFY, ACCORDING TO SHY GIRLS
GERMAN-SYRIAN ACTIVIST SALWA HOUMSI ON MUSIC, MEDIA AND MISOGYNY
10 MYSPACE-ERA TRACKS TO REAWAKEN YOUR INNER EMO
THE JAPANESE HOUSE ON BREAKUPS, BREAKDOWNS AND BREAKTHROUGHS
GOODBYE BCR: 5 SHOWS THAT SHAPED BERLIN’S SONIC LANDSCAPE
INDIE’S 19 FOR 2019
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