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FACE WITH PERFORMANCE: The ready-made muses of Harlem ballroom
TRISKELION: Kiala Kanzi’s studio soundtrack
Earl Sweatshirt is 30, Tryin to make a change :-\
BUGEISHA CLUB: Warriors at the world’s end
Studio Visit: Anna Zimmermann
KEEN’s street-ready hybrid brings climbing to the conversation
5 standout brands at CIFF: Copenhagen’s international fashion trade fair
NO FILTER: Polaroid and Magnum want to see your empathy-inspired photos
Fashion’s powerhouse perfumer is using less to create more
“Building a character is like making bread”: Berlin’s Marlene Burow on resting into a role
Galatea Bellugi is acting out her Cassavetian fantasy
‘Poor Things’ rising star Suzy Bemba is playing by a new script
KEEN marks a decade of UNEEK open-air innovation
5 scene stealers at this season’s 080 Barcelona FW
Sofia Coppola’s costume designer on crafting Priscilla’s wardrobe
ALEXANDRA BONDI DE ANTONI on interning at INDIE and the importance of print
Parma violets taste like soap
1 Granary ask: What does it mean to be independent in fashion?
As per my previous email
WILLY NDATIRA on INDIE’s archive, ’00s fashion, and counter culture
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