The business of being Heidi

POiSON GiRL FRiEND is experiencing things for the first time—again

Marlene Schulz knows the drill

Locking eyes with Nhật-Vũ Đặng

Painting Pinocchio: Ryo Koike

Oklou: HEARTSTRINGS ATTACHED

Moor Mother’s sounds of Grace

FACE WITH PERFORMANCE: The ready-made muses of Harlem ballroom

TRISKELION: Kiala Kanzi’s studio soundtrack

Earl Sweatshirt is 30, Tryin to make a change :-\ 

BUGEISHA CLUB: Warriors at the world’s end

“Building a character is like making bread”: Berlin’s Marlene Burow on resting into a role

Galatea Bellugi is acting out her Cassavetian fantasy

‘Poor Things’ rising star Suzy Bemba is playing by a new script

Sofia Coppola’s costume designer on crafting Priscilla’s wardrobe

ALEXANDRA BONDI DE ANTONI on interning at INDIE and the importance of print

Parma violets taste like soap

1 Granary ask: What does it mean to be independent in fashion?

As per my previous email

WILLY NDATIRA on INDIE’s archive, ’00s fashion, and counter culture