Earl Sweatshirt is 30, Tryin to make a change :-\ 

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FACE WITH PERFORMANCE: The ready-made muses of Harlem ballroom

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TRISKELION: Kiala Kanzi’s studio soundtrack

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BUGEISHA CLUB: Warriors at the world’s end

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Studio Visit: Anna Zimmermann

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KEEN’s street-ready hybrid brings climbing to the conversation

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5 standout brands at CIFF: Copenhagen’s international fashion trade fair

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NO FILTER: Polaroid and Magnum want to see your empathy-inspired photos

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Fashion’s powerhouse perfumer is using less to create more

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“Building a character is like making bread”: Berlin’s Marlene Burow on resting into a role

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Galatea Bellugi is acting out her Cassavetian fantasy

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‘Poor Things’ rising star Suzy Bemba is playing by a new script

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KEEN marks a decade of UNEEK open-air innovation

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5 scene stealers at this season’s 080 Barcelona FW

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Sofia Coppola’s costume designer on crafting Priscilla’s wardrobe

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ALEXANDRA BONDI DE ANTONI on interning at INDIE and the importance of print

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Parma violets taste like soap

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1 Granary ask: What does it mean to be independent in fashion?

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As per my previous email

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WILLY NDATIRA on INDIE’s archive, ’00s fashion, and counter culture